Home | Igor Stravinsky
We all came to love classical music in different ways. Here are some of the musical first loves of our WFMT listeners, in their own words.
This week, Esa-Pekka Salonen leads the CSO in Ravel’s Mother Goose, Stravinsky’s Symphony in Three Movements, and Dessner’s Violin Concerto, featuring soloist Pekka Kuusisto. Rounding out the broadcast, Sir George Solti conducts Bartók’s Concerto for Orchestra.
This week, Daniel Harding leads the Chicago Symphony Orchestra in Schumann’s Overture to Manfred, Brahms’ Schicksalslied and Holst’s The Planets, featuring Chicago Symphony Chorus and guest chorus director Jenny Wong. Closing the broadcast, Sir Georg Solti conducts Stravinsky’s Symphony of Psalms.
This week, Esa-Pekka Salonen conducts his own composition, Sinfonia Concertante for Organ and Orchestra, with soloist Iveta Apkalna. The program also includes Richard Strauss’ Don Juan and Bartók’s Concerto for Orchestra. Opening the broadcast, Pierre Boulez leads Stravinsky’s Four Studies for Orchestra.
The shark does not appear until the 81-minute mark of the 124-minute film. But its presence is felt through Williams’ theme, which some music scholars have theorized evoke the shark’s heartbeat.
Allons-y à Paris! Join us on a musical tour of Paris, the City of Light.
Including titles by Kurt Weill and Antonio Salieri.
Join us on a trip around London, a city with character, landmarks, and music to spare.
The CSO celebrates Pierre Boulez’s 100th birthday! In this broadcast, we hear Pierre Boulez, the CSO’s Helen Regenstein Conductor Emeritus, conducting the CSO in Stravinsky, Scriabin, Varèse, Schoenberg and Bartók. In between, the CSO’s Ninth Music Director Daniel Barenboim conducts Boulez’ Notations VII.
Guest artists making their festival debuts with the CSO will include pianist Nobuyuki Tsujii, musical theater royalty Sutton Foster, violinist Himari, and cellist Sheku Kanneh-Mason.
Among the composer’s lesser known works are pieces inspired by ticking clocks, talking animals, and Madagascar folk songs!
Both composers were supreme craftsmen who wrote efficiently, composed complex yet transparent, well-balanced works, and both had keen senses of humor provoking listeners with surprises.
Sunday, February 2, 2025, is the year’s biggest night for music. Peruse the classical, jazz, contemporary, folk, screen, and stage nominees, and see the winners as they’re announced!
Marking the free classical music festival’s first season led by Artistic Director and Principal Conductor Giancarlo Guerrero.
Maria Dueñas shines in Béla Bartók’s darkly beautiful Violin Concerto No. 2 with conductor Elim Chan. The Berlin Radio Symphony rounds out the program with works by Igor Stravinsky and Pyotr Ilyich Tchaikovsky.
Daniel Harding conducts Schumann’s Overture to Manfred and Holst’s The Planets, and the Chicago Symphony Chorus joins for Brahms’s Schicksalslied. Plus, former Music Director Sir Georg Solti leads in a 1997 recording of Stravinsky’s Symphony of Psalms featuring the Chicago Symphony Chorus.
Principal Guest Conductor Pierre Boulez leads the CSO in Stravinsky’s The Firebird. Opening the broadcast is Mahler’s Totenfeier. In between, we hear Bartók’s Music for Strings, Percussion, and Celesta.
A quartet of great composers lead their own music.
Some of today’s most beloved works of classical music weren’t well received when they made their debuts!
Dive in to the classical, jazz, contemporary, folk, screen, and stage nominees!
Music by Anatoly Lyadov, Julia Adolphe, Modest Mussorgsky, and Hector Berlioz.
Music that vanished, whether by accident or by design, only to be brought back into the light years, or centuries, later.
A retrospective on Leonard Bernstein’s revolutionary concert series, which introduced countless listeners to classical music. And Jamie Bernstein, daughter of the influential conductor-composer, reflect on her father’s legacy.
Grammy Award-winning Conductor and soprano Barbara Hannigan leads an ensemble of outstanding young musicians from the Royal Academy of Music and The Juilliard School on this new recording. Since 2002, the Academy and The Juilliard School, both international leaders in their field, have enjoyed collaborations in performances, exchanges and recordings. In this project, Hannigan conducts this transatlantic group in a …